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THE HOOGHLY REVIEW

Literature, Culture & Arts | Estd. 2022

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    • Pratibhāsika (Speculative Fiction, July 2026)
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  • All Issues
    • Pratibhāsika (Speculative Fiction, July 2026)
    • The Many Lives of Atlas A (Special Issue, January 2026, Web Edition)
    • Fictile Feelings (Poetry Special, October 2025)
    • Issue 4 (April 2025)
    • Murals (December 2024)
    • Issue 3 (April 2024)
    • Wee Hooghly, Issue 1 (January 2024)
    • Issue 2 (October 2023)
    • Issue 1 (April 2023)
  • Weekly Features
    • Craft
    • Culture
      • Faith
      • Film/TV
      • Food
      • Literature
      • Music
      • Mythology
      • Satire
      • Science
      • Society
      • Sports
      • Theatre
      • Wildlife
    • Humour
    • Photo Essay
    • Translation
    • Travelogue
    • Book Review (Till Feb 2025)
    • Weekly Features Archive (October 6, 2024 and Before)
  • ASAP Corner
    • Books
    • Commentary
    • Conversations
    • Excerpts
    • Film/TV
    • Magazines/Journals
    • Music
    • Remembrance
  • The Writer’s Gauntlet
  • Submissions
  • Who We Are
    • Founding Editors
    • Guest Editors
    • Recognitions
    • Nominations
    • Privacy Policy
  • ASAP Corner - Commentary - Music

    “Babydoll Dresses and Dirty Minds: How Art Suffers from Perversion” by Gabby Woehr

    7 August 2026

    In early June, Olivia Rodrigo attracted controversy while promoting her newest album. While creating a concert film for Spotify’s Billions Club, she drew unwanted attention to her outfit, rather than her music.

    Continue Reading

    Related Posts

    “Someone Else’s War: A Review of Patricia Grace King’s Those Who Vanish” by Joanna Theiss

    1 September 2026

    “The Strangeness Within: On Rajyabardhan Dhal Mahapatra’s Short Stories” by Kathiravan Annamalai

    25 August 2026

    “Review: The Candyman’s Trumpet Issue 14 – Afghan Women Poets” by Jan Lee

    18 August 2026
  • ASAP Corner - Music

    Bismillah by Peter Cat Recording Co. — A Life Lived Between Drift and Surrender

    3 May 2026

    Deepanshu Premani — Excerpt: Bismillah is not an album that sits quietly in the background. It creates a space and pulls the listener into it.

    Continue Reading

    Related Posts

    “Someone Else’s War: A Review of Patricia Grace King’s Those Who Vanish” by Joanna Theiss

    1 September 2026

    “The Strangeness Within: On Rajyabardhan Dhal Mahapatra’s Short Stories” by Kathiravan Annamalai

    25 August 2026

    “Review: The Candyman’s Trumpet Issue 14 – Afghan Women Poets” by Jan Lee

    18 August 2026

This Week

McLord Selasi reveals the logic behind the many names of Ewe children, and Marwa Karimi shares a story from a regime where being a woman is a liability.

The Day You Came by McLord Selasi

When Nooria Became Noor Ahmad by Marwa Karimi

What’s hot

Pratibhāsika (Speculative Fiction, July 2026)

The Writers Gauntlet with Sadie Kaye (June 2026 onwards)

The Many Lives of Atlas A, Special Issue, January 2026, Web Edition

“Breasts” by Allison Field Bell published in Issue 4, chosen for Best Microfiction 2026 by Diane Seuss

Fictile Feelings, guest-edited by Sanjeev Sethi

Editors’ Interview: Bookbot Theory | S2E29 | How Literary Magazines Shape Author Branding | YouTube | Spotify | Amazon Music

Murals, guest-edited by François Bereaud

current submission calls

The Writer’s Gauntlet with Sadie Kaye — Free, Fast, Rolling

ASAP Corner — Free, Fast, Rolling

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