Wani Nazir — Excerpt: Choudhary doesn’t write about real life in the usual way; his world is strange and frenetic. The holy and the vile walk hand in hand. Sometimes a prayer turns into a protest. Sen has a hard job expressing that tilt, when faith turns into irony.
Shayista Jahan — Excerpt: Mushtaq has a sharp eye for women’s issues and portrays them honestly, without embellishment or complication. They are both contextual and universal in different ways. “The personal is political” is the overarching theme that the stories inevitably try to impart.
Namrata — Excerpt: If one seeks a lens to understand Asrani’s journey, it is perhaps best found in Chala Murari Hero Banne (1977). Beneath its laughter lies an almost autobiographical resonance. The film’s humour, while entertaining, is inseparable from its poignancy.
Rahul Singh — Excerpt: Why are these accounts important? Because most of what we get to read about this region concerns geopolitics and hence, is hardly human. What they lack is the nuance of lives lived by the most repressed section of the society.
Wani Nazir — Excerpt: The main character, Maya, is not shown as a static person, but as a fluid being—a figure who is always being written, rewritten, and redefined. She is the postmodern subject, lost in a world of lies and shallow things.
