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THE HOOGHLY REVIEW

Literature, Culture & Arts | Estd. 2022

  • All Issues
    • Pratibhāsika (Speculative Fiction, July 2026)
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  • All Issues
    • Pratibhāsika (Speculative Fiction, July 2026)
    • The Many Lives of Atlas A (Special Issue, January 2026, Web Edition)
    • Fictile Feelings (Poetry Special, October 2025)
    • Issue 4 (April 2025)
    • Murals (December 2024)
    • Issue 3 (April 2024)
    • Wee Hooghly, Issue 1 (January 2024)
    • Issue 2 (October 2023)
    • Issue 1 (April 2023)
  • Weekly Features
    • Craft
    • Culture
      • Faith
      • Film/TV
      • Food
      • Literature
      • Music
      • Mythology
      • Satire
      • Science
      • Society
      • Sports
      • Theatre
      • Wildlife
    • Humour
    • Photo Essay
    • Translation
    • Travelogue
    • Book Review (Till Feb 2025)
    • Weekly Features Archive (October 6, 2024 and Before)
  • ASAP Corner
    • Books
    • Commentary
    • Conversations
    • Excerpts
    • Film/TV
    • Magazines/Journals
    • Music
    • Remembrance
  • The Writer’s Gauntlet
  • Submissions
  • Who We Are
    • Founding Editors
    • Guest Editors
    • Recognitions
    • Nominations
    • Privacy Policy
  • ASAP Corner - Books

    Translating the Ache in The Dead Fish: Mahua Sen and the Many Voices of Rajkamal Choudhary

    30 October 2025

    Wani Nazir — Excerpt: Choudhary doesn’t write about real life in the usual way; his world is strange and frenetic. The holy and the vile walk hand in hand. Sometimes a prayer turns into a protest. Sen has a hard job expressing that tilt, when faith turns into irony.

    Continue Reading

    Related Posts

    “When the River Remembers: Umar Nizarudeen’s The Moplah Speaks of the Rivers” by Haimanti Bagchi

    17 October 2026

    “The Geography of Unfinished Memory: Trauma, Belonging and the Ethics of Return in Umair Ahmed Khan’s The Valley of Unfinished Songs” by Wani Nazir

    8 October 2026

    “The Unease Beneath the Ordinary: Review of Geet Chaturvedi’s Scent of the Nameless, tr. Anita Gopalan” by Tarang Sinha

    2 October 2026
  • ASAP Corner - Books

    Analysing Humour and Resistance in Banu Mushtaq’s Heart Lamp: Selected Stories

    28 October 2025

    Shayista Jahan — Excerpt: Mushtaq has a sharp eye for women’s issues and portrays them honestly, without embellishment or complication. They are both contextual and universal in different ways. “The personal is political” is the overarching theme that the stories inevitably try to impart.

    Continue Reading

    Related Posts

    “When the River Remembers: Umar Nizarudeen’s The Moplah Speaks of the Rivers” by Haimanti Bagchi

    17 October 2026

    “The Geography of Unfinished Memory: Trauma, Belonging and the Ethics of Return in Umair Ahmed Khan’s The Valley of Unfinished Songs” by Wani Nazir

    8 October 2026

    “The Unease Beneath the Ordinary: Review of Geet Chaturvedi’s Scent of the Nameless, tr. Anita Gopalan” by Tarang Sinha

    2 October 2026
  • ASAP Corner - Books

    The Labyrinth of Maya and the Postmodern Self: A Review of Rohit Manchanda’s The Enclave

    22 October 2025

    Wani Nazir — Excerpt: The main character, Maya, is not shown as a static person, but as a fluid being—a figure who is always being written, rewritten, and redefined. She is the postmodern subject, lost in a world of lies and shallow things.

    Continue Reading

    Related Posts

    “When the River Remembers: Umar Nizarudeen’s The Moplah Speaks of the Rivers” by Haimanti Bagchi

    17 October 2026

    “The Geography of Unfinished Memory: Trauma, Belonging and the Ethics of Return in Umair Ahmed Khan’s The Valley of Unfinished Songs” by Wani Nazir

    8 October 2026

    “The Unease Beneath the Ordinary: Review of Geet Chaturvedi’s Scent of the Nameless, tr. Anita Gopalan” by Tarang Sinha

    2 October 2026
  • ASAP Corner - Books

    Three Decades in Verse — A Review of Anju Makhija’s Changing, Unchanging: New Selected Poems (1995-2023)

    16 October 2025

    Sutanuka Ghosh Roy — Excerpt: Changing, Unchanging invites the readers to respond to the older and newer poems of the poet, the storytelling on life, and delves deep into the disturbing possibilities at the intersection of the two.

    Continue Reading

    Related Posts

    “When the River Remembers: Umar Nizarudeen’s The Moplah Speaks of the Rivers” by Haimanti Bagchi

    17 October 2026

    “The Geography of Unfinished Memory: Trauma, Belonging and the Ethics of Return in Umair Ahmed Khan’s The Valley of Unfinished Songs” by Wani Nazir

    8 October 2026

    “The Unease Beneath the Ordinary: Review of Geet Chaturvedi’s Scent of the Nameless, tr. Anita Gopalan” by Tarang Sinha

    2 October 2026
  • ASAP Corner - Books

    Unmaking and Remaking the Self: Reading Meena Kandasamy’s Exquisite Cadavers

    7 October 2025

    Wani Nazir — Excerpt: Exquisite Cadavers is good because it doesn’t try to be perfect. It is like works that don’t fit in a box.

    Continue Reading

    Related Posts

    “When the River Remembers: Umar Nizarudeen’s The Moplah Speaks of the Rivers” by Haimanti Bagchi

    17 October 2026

    “The Geography of Unfinished Memory: Trauma, Belonging and the Ethics of Return in Umair Ahmed Khan’s The Valley of Unfinished Songs” by Wani Nazir

    8 October 2026

    “The Unease Beneath the Ordinary: Review of Geet Chaturvedi’s Scent of the Nameless, tr. Anita Gopalan” by Tarang Sinha

    2 October 2026
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This Week

Hassan Ismail Adekunle serves fine aged stereotypes, and Norma Hart says things too true to be good.

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What’s hot

Pratibhāsika (Speculative Fiction, July 2026)

The Writers Gauntlet with Sadie Kaye (June 2026 onwards)

The Many Lives of Atlas A, Special Issue, January 2026, Web Edition

“Breasts” by Allison Field Bell published in Issue 4, chosen for Best Microfiction 2026 by Diane Seuss

Fictile Feelings, guest-edited by Sanjeev Sethi

Editors’ Interview: Bookbot Theory | S2E29 | How Literary Magazines Shape Author Branding | YouTube | Spotify | Amazon Music

Murals, guest-edited by François Bereaud

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The Writer’s Gauntlet with Sadie Kaye — Free, Fast, Rolling

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