This woman, who wasn’t local, wasn’t new to pani puri. She didn’t even have to taste all the flavours to know which ones she wanted.
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I have a tendency to name every protagonist ‘Simon’ in my first drafts, even the women… I don’t know why.
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Paul Bassett Davies is Writer in Residence, at his house. He’s Been Writing For Forty Years, And He Still Hasn’t Finished. Find Out Why.
Author Investigates Reincarnation, Suspects He Has Been Making The Same Mistake For Centuries
Bewildered Old Man Held Hostage By Imaginary Criminals And A Cat.
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Mitra Samal’s collection reads like a paradox coming alive… to trace a bond, a link across conflicting emotions, to discover a connection between opposites, a pattern in shambles, and a poise in disbalance.
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“The Unease Beneath the Ordinary: Review of Geet Chaturvedi’s Scent of the Nameless, tr. Anita Gopalan” by Tarang Sinha
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Do you believe in curses? Sequels are cursed. And this curse is the hardest on legacyquels—those revived for audiences old and new.
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If I had to reduce Karadi Tales' differentiator to one idea, it would be this: authentic Indian storytelling with global craft, and very particularly, our audio storytelling.
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“When the River Remembers: Umar Nizarudeen’s The Moplah Speaks of the Rivers” by Haimanti Bagchi
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“The Unease Beneath the Ordinary: Review of Geet Chaturvedi’s Scent of the Nameless, tr. Anita Gopalan” by Tarang Sinha
