Joe Couture — Excerpt: He was lying in bed eating shrimp-flavoured crackers when he got the call. His mother had finally died.
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Deepanshu Premani — Excerpt: Bismillah is not an album that sits quietly in the background. It creates a space and pulls the listener into it.
Related Posts
“The Geography of Unfinished Memory: Trauma, Belonging and the Ethics of Return in Umair Ahmed Khan’s The Valley of Unfinished Songs” by Wani Nazir
“The Unease Beneath the Ordinary: Review of Geet Chaturvedi’s Scent of the Nameless, tr. Anita Gopalan” by Tarang Sinha
“As Strong as a Yak: Review of Jess Butterworth’s Running on the Roof of the World” by Sandhyaa Venkatachalam
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Sayan Sarkar — Excerpt: I’ve learnt from experience that these little fur balls of chaos can be as loyal and loving as their canine counterparts.
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Sabyasachi Roy — Excerpt: The sanctuary is basically an avian Airbnb for the pied kingfisher’s hover-and-dive show to the lazy float of spot-billed pelicans.
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Poetry doesn’t wait for life—it was right there with me, battling alongside me through a tenuous and vulnerable time. And I’m grateful for that.
Related Posts
“The Geography of Unfinished Memory: Trauma, Belonging and the Ethics of Return in Umair Ahmed Khan’s The Valley of Unfinished Songs” by Wani Nazir
“The Unease Beneath the Ordinary: Review of Geet Chaturvedi’s Scent of the Nameless, tr. Anita Gopalan” by Tarang Sinha
“As Strong as a Yak: Review of Jess Butterworth’s Running on the Roof of the World” by Sandhyaa Venkatachalam
