Michael Smith — Excerpt: Being in the suburbs, we got to see regular Japanese life, rather than the tourist’s view.
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Anasuya Basu — Excerpt: A road trip through the Dooars in the winter month of January not only invigorates with its crisp, chilly wind and clear skies, but also fills the senses with its vistas of mountains, mist, and lush tea gardens.
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Alka Balain — Excerpt: The Hour of God opens with a sacred invocation to wholeness from the Brihadaranyaka Upanishad, and this invocation sets the tone of the collection.
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“When the River Remembers: Umar Nizarudeen’s The Moplah Speaks of the Rivers” by Haimanti Bagchi
“The Geography of Unfinished Memory: Trauma, Belonging and the Ethics of Return in Umair Ahmed Khan’s The Valley of Unfinished Songs” by Wani Nazir
“The Unease Beneath the Ordinary: Review of Geet Chaturvedi’s Scent of the Nameless, tr. Anita Gopalan” by Tarang Sinha
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Mark Mullan — Excerpt: Hanna Nielson’s debut is a joyous Joycean romp through a single wintery night in post-Troubles Belfast that asks: If all of life is a play, do we write our own lines?
Related Posts
“When the River Remembers: Umar Nizarudeen’s The Moplah Speaks of the Rivers” by Haimanti Bagchi
“The Geography of Unfinished Memory: Trauma, Belonging and the Ethics of Return in Umair Ahmed Khan’s The Valley of Unfinished Songs” by Wani Nazir
“The Unease Beneath the Ordinary: Review of Geet Chaturvedi’s Scent of the Nameless, tr. Anita Gopalan” by Tarang Sinha
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Sadie Kaye — Excerpt: It was like all my phobias had decided to get together and have a child.
