It is character-driven humanity that McKenzie-Murray captures. The broken beauty of a falling feather or an unsent letter. The loneliness of a suburban laundromat.
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Mani Mahesh Aurora beautifully explains environmental terminology with excerpts from Iya’s diary and her father’s blog, which makes the read engaging and not preachy.
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Mitra Samal’s collection reads like a paradox coming alive… to trace a bond, a link across conflicting emotions, to discover a connection between opposites, a pattern in shambles, and a poise in disbalance.
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Rejection is not your regular book. Very soon into it, you’d be presented with a coltish gaze by the author, checking your audacity of going deeper in the book.
Related Posts
“Grief, Love and Laughter: Howard McKenzie-Murray’s This is Where We Say Goodbye” by Megan Kimber
“Gentle Reminders on Responsible Tourism: Mani Mahesh Aurora’s Iya and the Map of Gentle Journeys” by Sunny Gavhane
“Exploring an Existential Paradox: Mitra Samal’s Silence Has a Sound” by Snehaprava Das
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There are only two stories, John Gardner once wrote—a person goes on a journey, or a stranger comes to town. Perumal Murugan’s Neduneram (A Long Time) is both.
Related Posts
“Grief, Love and Laughter: Howard McKenzie-Murray’s This is Where We Say Goodbye” by Megan Kimber
“Gentle Reminders on Responsible Tourism: Mani Mahesh Aurora’s Iya and the Map of Gentle Journeys” by Sunny Gavhane
“Exploring an Existential Paradox: Mitra Samal’s Silence Has a Sound” by Snehaprava Das
