Devin James Leonard — Excerpt: “I’ll work on my French accent.” The casting director wagged his head and rolled his eyes at that.
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Ritam Dutta — Excerpt: The novel’s prose, as rendered in English by Manikuntala Dasgupta, carries the scent of its soil. Her translation has a rare transparency—it does not attempt to embellish but allows the natural music of the original to flow through.
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“The Geography of Unfinished Memory: Trauma, Belonging and the Ethics of Return in Umair Ahmed Khan’s The Valley of Unfinished Songs” by Wani Nazir
“The Unease Beneath the Ordinary: Review of Geet Chaturvedi’s Scent of the Nameless, tr. Anita Gopalan” by Tarang Sinha
“As Strong as a Yak: Review of Jess Butterworth’s Running on the Roof of the World” by Sandhyaa Venkatachalam
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Anjana Basu — Excerpt: Unlike Ruskin Bond, Roy’s love of the hills is not unqualified. She sees the monsoons as a season of stoicism — life in the hills, in fact, despite the wild beauty all around demands a certain acceptance from all those who live there.
Related Posts
“The Geography of Unfinished Memory: Trauma, Belonging and the Ethics of Return in Umair Ahmed Khan’s The Valley of Unfinished Songs” by Wani Nazir
“The Unease Beneath the Ordinary: Review of Geet Chaturvedi’s Scent of the Nameless, tr. Anita Gopalan” by Tarang Sinha
“As Strong as a Yak: Review of Jess Butterworth’s Running on the Roof of the World” by Sandhyaa Venkatachalam
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Michael Smith — Excerpt: The fog had lifted and we found ourselves residing in an example of Soviet architectural chic, a massive 22-storey, 168-roomed block of flats that had been converted into a hotel.
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Panchami — Excerpt: What began as reading ‘about’ the region transcended into reading ‘from’ the region. Shafak’s work was a beacon, my entry into literature from West Asia.
