Rohit Karir — Excerpt: My heart skips a beat when a paragraph grabs hold of me, and the search ends.
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Wani Nazir — Excerpt: Spotless isn’t about pain. It’s a coming-of-age story, a journal, and a cosmic poem all at once. The narrator’s voice is sharp, self-aware, and funny when you least expect it. You can taste it and feel the muck.
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“When the River Remembers: Umar Nizarudeen’s The Moplah Speaks of the Rivers” by Haimanti Bagchi
“The Geography of Unfinished Memory: Trauma, Belonging and the Ethics of Return in Umair Ahmed Khan’s The Valley of Unfinished Songs” by Wani Nazir
“The Unease Beneath the Ordinary: Review of Geet Chaturvedi’s Scent of the Nameless, tr. Anita Gopalan” by Tarang Sinha
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Wani Nazir — Excerpt: Santosh Bakaya’s poetic mini-epic is an evocation of the dreamscape bathed in lost garden scents and memory whorls, and the rhythms of a haunted, healing world.
Related Posts
“When the River Remembers: Umar Nizarudeen’s The Moplah Speaks of the Rivers” by Haimanti Bagchi
“The Geography of Unfinished Memory: Trauma, Belonging and the Ethics of Return in Umair Ahmed Khan’s The Valley of Unfinished Songs” by Wani Nazir
“The Unease Beneath the Ordinary: Review of Geet Chaturvedi’s Scent of the Nameless, tr. Anita Gopalan” by Tarang Sinha
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Wani Nazir — Excerpt: They are a musical, rhythmic, and symbolic world, and every metaphor has a spiritual, cultural, and cosmic meaning. Translating Rumi might either dampen the original’s exuberant essence or sever its strong ties to Persian and Sufi culture.
Related Posts
“When the River Remembers: Umar Nizarudeen’s The Moplah Speaks of the Rivers” by Haimanti Bagchi
“The Geography of Unfinished Memory: Trauma, Belonging and the Ethics of Return in Umair Ahmed Khan’s The Valley of Unfinished Songs” by Wani Nazir
“The Unease Beneath the Ordinary: Review of Geet Chaturvedi’s Scent of the Nameless, tr. Anita Gopalan” by Tarang Sinha
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Sutanuka Ghosh Roy — Excerpt: Changing, Unchanging invites the readers to respond to the older and newer poems of the poet, the storytelling on life, and delves deep into the disturbing possibilities at the intersection of the two.
Related Posts
“When the River Remembers: Umar Nizarudeen’s The Moplah Speaks of the Rivers” by Haimanti Bagchi
“The Geography of Unfinished Memory: Trauma, Belonging and the Ethics of Return in Umair Ahmed Khan’s The Valley of Unfinished Songs” by Wani Nazir
“The Unease Beneath the Ordinary: Review of Geet Chaturvedi’s Scent of the Nameless, tr. Anita Gopalan” by Tarang Sinha
