To read Mahapatra’s stories is to experience defamiliarisation, which occurs when the literary language disrupts habitual perception by making the ordinary appear extraordinary and the extraordinary disturbingly ordinary.
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Three women, one real as far as history is concerned and the other two drawn from the pages of Tagore, inspired by that real woman—the notun bouthan who was Tagore’s muse and who died tragically.
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I lifted my maroon apron from the cold marble slab. Its golden embroidery curled into spelling my name, Arun; Wong. Most people stop at Arun.
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It is character-driven humanity that McKenzie-Murray captures. The broken beauty of a falling feather or an unsent letter. The loneliness of a suburban laundromat.
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Rejection is not your regular book. Very soon into it, you’d be presented with a coltish gaze by the author, checking your audacity of going deeper in the book.





