Raka Banerjee — Excerpt: I remember reading a beautiful poetry collection, one of the first borrowed from the British Council Library, on-board the Kolkata tram.
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Rafaela Kottou — Excerpt: Salamanca, Spain is where I had the best steak of my life. It was at a restaurant in the center of the city, which they call the Plaza Mayor.
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Namrata — Excerpt: Gupta begins from a historical contradiction. Classical literature overflows with lush forests and sensuous rivers, yet the voices of forest communities and women are scantly inscribed in the canonical record. Her devised text steps into that absence without pretending to fill it with authenticity.
Related Posts
“The Geography of Unfinished Memory: Trauma, Belonging and the Ethics of Return in Umair Ahmed Khan’s The Valley of Unfinished Songs” by Wani Nazir
“The Unease Beneath the Ordinary: Review of Geet Chaturvedi’s Scent of the Nameless, tr. Anita Gopalan” by Tarang Sinha
“As Strong as a Yak: Review of Jess Butterworth’s Running on the Roof of the World” by Sandhyaa Venkatachalam
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Albert Abdul-Barr Wang — Excerpt: The cover photograph taken by the author herself provides a clue to the range of themes: self-portraiture, literary craft, formalism, the female body, whiteness in relation to post-feminist America, and natural landscapes versus constructed interiors.
Related Posts
“The Geography of Unfinished Memory: Trauma, Belonging and the Ethics of Return in Umair Ahmed Khan’s The Valley of Unfinished Songs” by Wani Nazir
“The Unease Beneath the Ordinary: Review of Geet Chaturvedi’s Scent of the Nameless, tr. Anita Gopalan” by Tarang Sinha
“As Strong as a Yak: Review of Jess Butterworth’s Running on the Roof of the World” by Sandhyaa Venkatachalam
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Kira Córdova — Excerpt: If you have an 18th-century British military kink, I beg you, don’t tell me.
